The Anatomy Theatre
The linework — every burin stroke holds at full size

The Ideal Figure

The Écorché Among Ruins

A flayed figure leaning on a column.

Work
drawing
Maker
Augustin Joron
Date
1810–1819
Held by
Wellcome Collection

Format

The full-resolution scan, colour-managed to the source — yours to print, study, and explore.

Size

$29.00

The story

A drawing by Augustin Joron, made in the 1810s and probably at Amiens. An écorché figure stands at ease beside a broken column holding a staff, a classical bridge and ruined temple behind him, a fallen drum of a column at his feet. It is the eighteenth century's grand manner of anatomy, Albinus's dignified standing figure against an antique ground, carried into the next century by a hand trained in drawing from the antique. The Wellcome Collection holds the sheet, framed in its own ruled border.

See it on your wall

The plate, in the room it was made for

The Écorché Among Ruins, printed large and framed — in the consulting room, the study, the library. Every edition ships ready to become the piece the room is built around.

The Écorché Among Ruins framed on the wall
The Écorché Among Ruins framed on the wall
The Écorché Among Ruins framed on the wall
The Écorché Among Ruins framed on the wall

About this reproduction

  • A reproduction of drawing — Augustin Joron, 1810–1819 — from the copy held by Wellcome Collection. The source. The work is centuries out of copyright and in the public domain.
  • Printed faithful to that source scan. We do not re-colour it, complete it, or interpret it; the plate you receive is the plate as it survives.
  • Printed to order on EMA matte art paper, 200gsm. Framed editions sit in a box frame under acrylic, with no mount.
  • Colour-managed to the source; the tone of the paper and the ink is the engraver’s, not ours.
  • Ships in 5–10 business days.
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our plates cost more than a poster: a poster is a mass run on wood-pulp stock, colour-corrected to whatever flattered the press that day. This is one sheet, pulled for you, at a size where the engraver’s hand is visible — the linework, the tonal work, the lettering — on a matte sheet that shows every line without glare.

From the same collection

The Skeleton and the Rhinoceros — from Tabulae Sceleti et Musculorum, Bernhard Siegfried Albinus, engr. Jan Wandelaar, 1747

Bernhard Siegfried Albinus, engr. Jan Wandelaar · 1747

The Skeleton and the Rhinoceros

An anatomy plate with a rhinoceros in the background.

Tabulae Sceleti et Musculorum · 1747
The Ideal Figure — from Tabulae Sceleti et Musculorum, Bernhard Siegfried Albinus, engr. Jan Wandelaar, 1747

Bernhard Siegfried Albinus, engr. Jan Wandelaar · 1747

The Ideal Figure

Human anatomy as classical sculpture.

Tabulae Sceleti et Musculorum · 1747
A Skeleton, from the Osteographia — from Osteographia, or the Anatomy of the Bones, William Cheselden, 1733

William Cheselden · 1733

A Skeleton, from the Osteographia

Bones drawn with the aid of the camera obscura.

Osteographia · 1733