The Anatomy Theatre

Tabulae Sceleti et Musculorum · 1747

The Ideal Figure

The Enlightenment asked for the perfect body, drawn perfectly. Albinus and Cheselden answered with figures posed like antique gods — and set them against rhinoceroses, ruins, and poetry.

The plates in The Ideal Figure

The Skeleton and the Rhinoceros — from Tabulae Sceleti et Musculorum, Bernhard Siegfried Albinus, engr. Jan Wandelaar, 1747

Bernhard Siegfried Albinus, engr. Jan Wandelaar · 1747

The Skeleton and the Rhinoceros

An anatomy plate with a rhinoceros in the background.

Tabulae Sceleti et Musculorum · 1747
The Ideal Figure — from Tabulae Sceleti et Musculorum, Bernhard Siegfried Albinus, engr. Jan Wandelaar, 1747

Bernhard Siegfried Albinus, engr. Jan Wandelaar · 1747

The Ideal Figure

Human anatomy as classical sculpture.

Tabulae Sceleti et Musculorum · 1747
A Skeleton, from the Osteographia — from Osteographia, or the Anatomy of the Bones, William Cheselden, 1733

William Cheselden · 1733

A Skeleton, from the Osteographia

Bones drawn with the aid of the camera obscura.

Osteographia · 1733